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Christian is a film nerd with a deep love for cinematic imagery. He started as an in-house designer at a commercial production company and quickly became known for crafting layouts that are visually striking, clean, and immersive. Every treatment he designs is a seamless blend of storytelling and aesthetics—designed to be engaging, dynamic, and effortlessly readable. He often turns to Midjourney, Photoshop, and his Apple Pencil to craft the perfect elements for any project. As a writer and director himself, he understands the importance of translating a vision with absolute clarity—and that remains his top priority. When he's not deep in visual research, converting MP4s into GIFs, or waiting for InDesign to publish, you’ll find him writing screenplays, watching movies, shooting film photography, playing D&D, and co-parenting Merry and Pippin, his two mischievous cats.

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Daniel Obzejta is an award-winning director and visual artist with 7 years of experience designing treatments. He has helped directors book feature films, commercials, TV shows, music videos, and branded socials. His filmmaking and art training ingrain in him the importance of narrative clarity and the power of the visual image. To ensure his clients are armed with the unique visuals needed to bring their ideas to life, he hunts films, makes GIFs, prompts AI, photoshops, and puts pencil to paper. He’s just the right amount of competitive and gets deep satisfaction when his client’s bid wins.

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Dylan Edeal-Smith is a graphic designer and visual researcher who's been designing treatments since 2016. He’s helped with every conceivable genre and brand in those seven+ years and yet he somehow continues to be inspired by contemporary imagery and layouts. An active listener, Dylan loves to collaborate and discover elegant solutions for the visual problem-solving that goes into building compelling layouts. He's researched and designed treatments for over 400 different brands including Apple, Nike, Ford and Starbucks, music videos pitches for artists like Jay- Z and Demi Lovato, and countless feature film decks. And as a fiercely competitive person, he LOVES hearing when his client’s deck wins... Dylan holds a BAFA from the University of New Mexico where he studied photography and he now resides in Albuquerque with his partner, puppy and their two cats.

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Based in Los Angeles, Elizabeth Archer is a left-of-center director + writer who creates stories rooted in vibrant, stylized worlds and has a funny bone for offbeat, comedic filmmaking.  Her cheeky sensibility, visual aesthetic and playful tone breathes life into both her narrative and commercial work. She explores the absurdities of modern life from an emotional palette of both subtle, nuanced performances and hilarious physical comedy. During her time in Los Angeles, Elizabeth has worked for companies such as Hello Sunshine, Netflix and most recently, as a treatment designer at PRETTYBIRD. She has directed dozens of comedic short films, sketches and commercials - most notably for Almost Friday TV and Keke Palmer’s KeyTV. Her latest short film, Two Women Make a Lunch Plan,  has gone on to play at over ten festivals like Palm Springs Shortfest, LA Shorts, Silver Lake Shorts and Salute Your Shorts.

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Eno grew up in New York City attending NYU Tisch with a widespread group of interests like directing, writing, music composition and experimental theater.

From his time assisting directors at Epoch and Wanda, to in-house Creative work at Prettybird, he has a voracious appetite for escalated comedy, cinematic visuals and offbeat moments. He has worked on over 400 treatments in TV, film, music-video, commercial for a wide variety of movie directors and tabletop food stylists.

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Erica is a designer, director and visual researcher who’s been working in film and TV + advertising since 2015. She earned her BFA in Film Production from York University, and was a Directing resident at the Canadian Film Centre in 2022. Her narrative film work has been supported by Telefilm Canada, and the Ontario and Canada Arts Councils. A major film and TV nerd, Erica draws from an encyclopedic knowledge for her visual research. Her background as an agency producer, director’s assistant and production coordinator working for a commercial production company lends itself to a 360 degree knowledge of the pitching process, from the conception of the idea to its realization. When she's not directing or designing treatments, Erica can be found reading, watching horror movies or hanging out with her pitbull mix, Neko.

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Gal is a multidisciplinary creative with a degree in Communication and a career that bridges advertising and cinema. With decades of experience, she brings a sharp eye and a deep sense of narrative to every artistic decision she makes. Her expertise was shaped as an Assistant Director, where she collaborated with some of the industry’s most distinctive voices. These collaborations honed her ability to interpret and translate a director’s vision into authentic references and compelling visual narratives that capture the unique personality of each project.

Known for her diligent, hands-on approach, Gal consistently delivers work that exceeds expectations, even under the tightest deadlines. For her, research is the foundation of creativity. She approaches it as both broad and deep, rooted in a rich cultural repertoire. Gal’s treatments are recognized for being conceptual, narratively precise, clear, and inspiring—bridging artistic vision with technical execution in a way that resonates both creatively and strategically.

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Graydon is a filmmaker and recovering commercial director with an irreverent sense of humor, a strong sense of story, and an eye for rich and colorful visuals. First trained as a photographer, Graydon pivoted to directing, quickly becoming a sought-after music video and commercial director in Canada and abroad. He has directed several world-renowned short films, music videos and web series for outlets including i-D/Vice, Nowness, and CBC. His work has been exhibited and screened in festivals, galleries, and museums around the world including the Toronto International Film Festival, The Museum of the Moving Image in New York, and The Victoria & Albert Museum in London. While he no longer directs commercials, he understands what it takes to win a bid. He feels your pain, and he’s here to make it all better.

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Jessie Brown is a visual design and aesthetics junkie with a love for crafting bold and emotive visual pieces - which she's done for television series and brands such as Amazon, Netflix, Disney, Las Vegas, Honda, BMW, Lexus, KFC, Dominos, Panda Express, Crayola, and so many more. Jessie’s a film production graduate from LMU with a background in studio arts and production design who transitioned her passion for genre aesthetics and visual storytelling into treatment work. Jessie has also developed a unique skill set combining emerging generative AI tools with the traditional Adobe Suite leading to wildly inventive visuals. She has worked with everyone from emerging talents to Oscar- and Emmy-nominated directors. Jessie also previously worked as the lead visual designer for an award-winning commercial production company. When she's not working, you can often find her at your local AMC theater taking advantage of her A-List perks, catching up on the latest films in the industry.

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Born and raised in Dallas, Texas, Kaitlin had an interest in art and design from a very young age, often drawing recreations of images she saw in magazines growing up. After studying Fashion Design, Kaitlin moved to New York and very quickly switched gears into the film industry. Loving the energy on set, she began producing a handful of indie projects, and eventually started writing and directing her own work. She has since directed numerous narrative short films, branded pieces, short documentaries, and music videos. Most recently she has directed Ava Max’s “Christmas Without You” video, and co-directed Korn’s “Worst Is On Its Way” video. Outside of her film and design work, Kaitlin enjoys painting, playing guitar, and photography.

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Lindsay is an award winning director with a passion for art direction, choreography, and surrealism. Lindsay is inspired by wild places as well as the hodgepodge of Asian and Western cultures that were her upbringing. She previously worked as the lead designer at an award-winning commercial production company where she designed treatments for brands like Maserati, Grey Goose, Vogue, Lexus, Apple, and many more. Lindsay currently lives between LA and Hawaii. When she’s not on set or staring at her computer obsessing over fonts, she’s most likely out surfing.

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Lux has over a decade of experience as a director, photographer, and treatment designer working across music videos, commercials, and film and tv. She got her start as a web designer and color printer for a celebrity photographer, where her obsession with visuals took hold and never let up.

She’s known for bold aesthetics, emotive imagery, and a confident use of color. Her work is intuitive, and highly curated. She pulls references that don’t just look good, but lock into the emotion for the moment.

She approaches each brief with sensitivity, shaping treatments that not only look beautiful but align deeply with the tone, story, and strategy behind the work. With decades of experience as the client and the creator, she’s passionate about finding the right voice for each project.

These days, she’s focused on writing a feature film. When she’s not designing or directing, she’s organizing her books by color, at a gallery, or somewhere in nature.